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Torrentfreak: “Labels Win Grooveshark Copyright Infringement Case” plus 1 more

Torrentfreak: “Labels Win Grooveshark Copyright Infringement Case” plus 1 more


Labels Win Grooveshark Copyright Infringement Case

Posted: 30 Sep 2014 01:22 AM PDT

Beleaguered music service Grooveshark is facing its biggest threat yet after a long-running case with the major labels of the RIAA came to a close last evening.

In a ruling by United States District Judge Thomas P. Griesa in the United States District Court in Manhattan, Grooveshark parent company Escape Media and two of the company’s top executives were found liable for infringing the rights of the labels on a grand scale.

The summary judgment is not a pretty read. It summarizes Grooveshark’s history and how the service began with licensed aims in mind, but achieved that by infringing the labels’ rights in the hope of reaching deals later on.

The initial problem was obtaining content to offer to users. The company solved the issue by getting employees to “seed” music to other users via its own P2P sharing software known as Sharkbyte. A 2007 email from co-founder Josh Greenberg to employees reads:

Please share as much music as possible from outside the office, and leave your computers on whenever you can. This initial content is what will help to get our network started—it's very important that we all help out! If you have available hard drive space on your computer, I strongly encourage you to fill it with any music you can find. Download as many MP3's as possible, and add them to the folders you're sharing on Grooveshark. Some of us are setting up special "seed points" to house tens or even hundreds of thousands of files, but we can't do this alone… There is no reason why ANYONE in the company should not be able to do this, and I expect everyone to have this done by Monday… IF I DON'T HAVE AN EMAIL FROM YOU IN MY INBOX BY MONDAY, YOU'RE ON MY OFFICIAL SHIT LIST.

In 2007, music obtained via Sharkbyte and other means was used to populate Grooveshark’s central music storage library. Internal company emails showed Greenberg, Tarantino and Escape’s senior programmer encouraging employees to bring in and download music so it could be uploaded to the company’s servers.

By 2008 the Grooveshark service carried more than a million tracks, including thousands uploaded by Greenberg, Tarantino and other employees. That service grew by another million tracks and eventually into the streaming service available today.

A year later the service was beginning to receive DMCA takedown notices but according to the decision handed down yesterday, the company had a solution to keep that content online.

“Escape's senior officers searched for infringing songs that had [been] removed in response to DMCA takedown notices and re-uploaded infringing copies of those songs to Grooveshark to ensure that the music catalog remained complete,” the decision reads.

Furthermore, records show that thousands of the DMCA notices sent by the labels were forwarded internally to employees, including Greenberg and Tarantino, for the music they had personally uploaded. The fact that employees were uploading content became known to the labels following discovery in another case currently before the courts.

While the Court accepted that Escape and its employees uploaded thousands of tracks, the huge numbers claimed by the labels were rejected. In total the Court found that the defendants are liable for uploading ‘just’ 5,977 copyright works.

And, of course, there is the not insignificant number of tracks the company streamed to its users over the course of its operations. Escape’s own records show that it “streamed or publicly performed”, copies of plaintiffs' copyrighted sound recordings at least 36 million times.

“Each time Escape streamed one of plaintiffs' song recordings, it directly infringed upon plaintiffs' exclusive performance rights,” the decision reads.

As a result of Greenberg and Tarantino instructing company employees to upload copyright-protected music to Grooveshark, the Court granted the labels’ motion for summary judgment on its claim for direct copyright infringement.

On the secondary infringement front the Court ruled that Escape Media is liable for the direct infringements of the employees it instructed to upload music.

“[The record labels] advance three theories of secondary liability: (1) vicarious copyright infringement, (2) inducement of copyright infringement, and (3) contributory copyright infringement. The court finds for plaintiffs on all three theories of liability,” the judgment reads.

In respect of Escape’s co-founders, Tarantino and Greenberg, the Court found that they are not only “jointly and severally liable for Escape's direct and secondary copyright infringement” but also liable for direct infringement due to their own personal uploads of infringing content to Grooveshark.

The judgment concludes with an instruction for the parties to submit proposals on the scope of a permanent injunction against Grooveshark within 21 days. Escape Media has already announced its intention to appeal.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Photographer Sues Imgur For Failing to Remove Copyrighted Photos

Posted: 29 Sep 2014 08:33 AM PDT

imgurWhen it comes to online piracy most attention usually goes out to music, TV-shows and movies. However, photos are arguably the most-infringed works online.

Virtually every person on the Internet has shared a photo without obtaining permission from its maker, whether through social networks, blogs or other services.

While this is usually not a problem with a picture of the average Internet meme, when it comes to professional photography there can be serious consequences.

Earlier this year the Seattle-based artist Christopher Boffoli discovered that dozens of photos from his well-known “miniatures of food” series were being shared on Imgur. The photos were uploaded by a user named kdcoco who published them without permission.

This type of infringement is fairly common and usually easy to stop through a DMCA notice. In this case, however, that didn’t produce any results, so the photographer saw no other option than to take Imgur to court.

In a complaint (pdf) filed at a federal court in Seattle, Boffoli explains that he sent Imgur a DMCA takedown request on February 21. This seemed to work, as the image sharing site was quick to respond.

"The images have been marked for removal and will be deleted from all of our servers within 24 hours," Imgur quickly replied.

One of Boffoli’s photos

boffoli

But following this initial reply nothing happened. According to the complaint all of the images remained online for several months.

“As late as September 2014 — more than 200 days after receiving Boffoli's notice — Imgur had not removed or disabled access to the Infringing Content. To date, the Infringing Content is still accessible on Imgur's servers,” the photographer’s lawyers write.

Aside from the infringing behavior of the Imgur user, Boffoli holds the image sharing service responsible for continued copyright infringement.

“Imgur had actual knowledge of the Infringing Content. Boffoli provided notice to Imgur in compliance with the DMCA, and Imgur failed to expeditiously disable access to or remove the Infringing Website,”

The photographer is asking the court to order an injunction preventing Imgur from making his work available. In addition, the complaint asks for actual and statutory damages for willful copyright infringement.

With at least 73 photos in the lawsuit, Imgur theoretically faces more than $10 million in damages. Thus far Imgur hasn’t responded to the complaint but at the time of writing the infringing photos are no longer available online.

It’s not the first time Boffoli has sued an online service for failing to remove his photos. He also filed lawsuits against Twitter, Google and others. These cases were settled out for court under undisclosed terms.

Time will tell whether Imgur will go for the same option, or if it will defend itself in court.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Torrentfreak: “Universal Music Moves For Summary Judgment Against Grooveshark” plus 2 more

Torrentfreak: “Universal Music Moves For Summary Judgment Against Grooveshark” plus 2 more


Universal Music Moves For Summary Judgment Against Grooveshark

Posted: 29 Sep 2014 02:20 AM PDT

In January 2010, Universal Music Group filed a lawsuit in a New York court in which it alleged that Grooveshark was offering unauthorized copies of its musical works. The content in question were tracks from Universal’s pre-1972 back catalog.

The date when the tracks were recorded is important, since songs recorded before February 15, 1972, are covered under New York state law and not federal copyright legislation where safe harbor provisions of the DMCA apply.

“This case arises from Defendant's massive willful copyright infringement and unfair
competition in violation of New York common law,” Universal writes in its latest submission to the Court.

“[Grooveshark parent company] Escape infringed UMG's copyrighted works billions of times since it launched the current iteration of Grooveshark without any license from UMG and in flagrant violation of UMG's exclusive rights.”

Describing Escape's “pervasive copyright infringement” as part of a “premeditated business strategy” carried out by a “blatantly infringing pirate music service”, Universal Music (UMG) has now moved for summary judgment in the case on copyright infringement and unfair competition grounds.

“Escape has admitted that it competes with UMG in the market for the
dissemination of music over the Internet. Accordingly, it obtained an unfair competitive advantage over authorized streaming services by using UMG's sound recordings without a license or payment.”

Previously, Escape Media counter-claimed against UMG when the company allegedly that UMG had tried to interfere with its business by influencing third-party companies to curtail relationships with the streaming service. UMG states those were legitimate anti-piracy tactics and dismisses Escape’s claims as an attempt to distract from the case in hand.

“Having no substantive defense to UMG's infringement claims, Escape filed several baseless counterclaims against UMG for alleged interference with contracts and business relations,” UMG writes.

“The undisputed record confirms that the communications at issue directly related to the efforts by UMG and related companies to curtail the massive infringement of its copyrights by Escape's Grooveshark service and thus were wholly appropriate and justified.”

UMG says it is entitled to summary judgment on all matters including copyright infringement, unfair competition and Escape’s counter-claims.

“In view of the foregoing, UMG respectfully requests that this Court grant summary
judgment against Escape for common law copyright infringement of UMG's copyrights in the Works-in-Suit, based on Escape's invasion of its rights of reproduction, distribution, and performance, as well as for unfair competition, and for UMG on Escape's counterclaims for tortious interference with contract and business relations,” UMG concludes.

In 2011 it appeared that Grooveshark would be able to claim safe harbor protections on pre-1972 recordings after all when a court ruled in its favor. However, in April 2013 a panel reversed the decision.

"The statutory language at issue involves two equally clear and compelling Congressional priorities: to promote the existence of intellectual property on the Internet, and to insulate pre-1972 sound recordings from federal regulation," Justice Angela Mazzarrelli wrote.

Whether UMG will obtain their summary judgment and at what financial expense to Escape Media and Grooveshark will be developments for the months to come.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Top 10 Most Pirated Movies of The Week – 09/29/14

Posted: 28 Sep 2014 11:52 PM PDT

transThis week we have three newcomers in our chart.

Transformers: Age of Extinction is the most downloaded movie for the second week in a row.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are BD/DVDrips unless stated otherwise.

RSS feed for the weekly movie download chart.

Ranking (last week) Movie IMDb Rating / Trailer
torrentfreak.com
1 (1) Transformers: Age of Extinction 6.1 / trailer
2 (2) Edge Of Tomorrow 8.1 / trailer
3 (…) 22 Jump Street 7.6 / trailer
4 (…) Sin City: A Dame to Kill For 7.0 / trailer
5 (3) X-Men: Days of Future Past 8.4 / trailer
6 (4) Maleficent 7.4 / trailer
7 (…) Good People 5.4 / trailer
8 (8) Million Dollar Arm 7.3 / trailer
9 (7) The Fault in Our Stars 8.3 / trailer
10 (6) How To Train Your Dragon 2 8.3 / trailer

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Copyright Apocalypse: Trolls Attack the Net, From the Future

Posted: 28 Sep 2014 10:54 AM PDT

badtrollWithout copyright, people in the creative industries would have no incentive to keep on creating. In recent years this kind of statement has been regularly pumped out by entertainment companies in their defense of tougher intellectual property legislation.

Countering, advocates such as Swedish Pirate Party founder Rick Falkvinge frequently argue that copyright monopolies stifle creativity and hinder innovation.

But what would happen if rather than providing an incentive to create, the existence of copyright meant that no-one would ever need to create anything original online ever again? And if they did, they could be sued for it?

That’s the staggering notion being put forward by Qentis Corporation. The outfit, which claims a base in Russia, says that its business model is to use massive computing power to generate digital intellectual property on a never-seen-before scale and transfer the rights to its partners.

“Our clients are private high net-worth individuals (HNWI), investment funds and corporations that act as pure investors,” Qentis explains.

What Qentis are proposing is the bulk algorithmic creation of content – music, text, images etc – on such a large scale that in a few years its clients will own the rights to just about anything people might care to create and upload.


The worrying claim on the Qentis homepage

qentisclaim

“Qentis aims to produce all possible combinations of text (and later on images and sound) and to copyright them,” Qentis’ Michael Marcovici told TorrentFreak.

“Concerning text we try this in chunks of 400 word articles in English, German and Spanish. That would mean that we will hold the copyright to any text produced from now on and that it becomes impossible for anyone to circumvent Qentis when writing a text.”

In terms of graphics, Qentis promotional material states that a subsidiary has already generated 3.23% of “all possible images” in the 1000×800 pixel format.

“We are now generating images at a much faster pace and expect to complete 10 percent of all possible images by the end of 2015. At current projections, we will by 2020 generate every possible image in the 1000×800 pixel resolution,” the company claims.

qentisimage

Of course, ‘creating’ this ‘content’ has a purpose. According to Qentis it effectively seeks to become the biggest copyright troll on the planet. The company says it will identify copyright infringements and help investors to pursue infringers. And, astonishingly, it claims it will free companies from having to rely on people to come up with creative content.

"It is only a matter of time before Qentis becomes the universal single source for all web content, freeing corporations from their expensive dependence on writers, musicians and artists,” says Qentis co-founder Howard Lafarge.

TF spoke with Rick Falkvinge about Qentis’ stated aims and needless to say he’s completely unimpressed.

“Interesting, and complete bullshit,” Rick said.

“They claim to have generated all possible texts in English that are up to 400 words in length, and therefore, any text below that length ‘infringes’. However, having the copyright monopoly on a text is solidly dependent on having had artistic skill gone into generating it. Merely mechanically generating all combinations does not, repeat NOT, reward a copyright monopoly.”

Having spent way more time on the Qentis website than we probably should, (and arriving at the conclusion that they’re either crazy, evil geniuses or masters of parody) we’re still left with an interesting concept.

The fact remains that there are plenty of huge, heavily pro-copyright corporations on the planet today who would happily embark on a Qentis-style operation of copyrighting all content before a human can create it, if indeed such a thing was possible. Rest assured, at that point the ‘artists’ would be a forgotten and inconvenient part of their business models.

“The mere concept that somebody thinks of generating all possible texts and then thinks they can sue humanity for coming up with one of these combinations through actual artistic talent shows how completely screwed up copyright monopoly law is,” Rick concludes.

Since Qentis claims to have come up with the lyrics to Lady Gaga’s ‘Applause’ before she did, TF pressed Qentis to give us more examples where their creations have successfully predicted the future. The company couldn’t immediately give us any, but said there were “many more” to be found.

We also asked about the mathematical implications of coming up with every available combination of text in a 400 word article, given there are one million words in the English language alone. How many generated articles would be a ‘miss’ in trying to come up with one ‘hit’?

“About the mathematics, this is mainly about working with n-grams, we don’t work iteratively with misses because that would produce as you mention a LOT of misses, probably only 1 out of few million would be readable,” the company’s Michael Marcovici told us.

“We do not include entities in the text as it does not matter and we concentrate on the structure of the text. Using known or predicted combinations is more economical, the main challenge is storage and not so much generating text.”

For those interested in reading just how bad things could get on the copyright front, given the chance, the fully comprehensive and quite incredible Qentis website can be found here. We’re not sure what their endgame is, but we wouldn’t be surprised if they have a secret underground base.

Everyone is invited to comment below, scholars of copyright and mathematics in particular.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Torrentfreak: “Piracy Police Chief Calls For State Interference to Stop Internet Anarchy” plus 1 more

Torrentfreak: “Piracy Police Chief Calls For State Interference to Stop Internet Anarchy” plus 1 more


Piracy Police Chief Calls For State Interference to Stop Internet Anarchy

Posted: 28 Sep 2014 01:48 AM PDT

cityoflondonpoliceFounded little over a year ago, the City of London Police Intellectual Property Crime Unit (PIPCU) has quickly grown to become one of the world’s most active anti-piracy operations.

The unit uses a wide range of strategies, from writing to domain registrars and threatening them, to working with advertisers in order to cut off revenues from ‘pirate’ sites.

PIPCU is determined to continue its anti-piracy efforts in the years to come. However, the unit’s head Andy Fyfe also believes that the Government may have to tighten the rules on the Internet, to stop people from breaking the law.

In an interview with PC Pro, Fyfe says he wants to see this topic being debated in the media.

“I'm very interested in having a debate in the media about how much policing of the internet people want. At the moment, there's almost no regulation and no policing of the internet,” Fyfe says.

PIPCU’s chief believes that the public has to be protected from criminals including pirate site operators who take advantage of their trust. If that doesn’t happen then the Internet may descend into anarchy, he says, suggesting that the Government may have to intervene to prevent this.

“In the end, that might mean that the Internet becomes completely ungovernable, and that no one can dare operate on it at all, no one can dare do their shopping or banking on it. So should there be a certain level of … state inference in the interest of protecting consumers? I'm very keen to raise that as a debate,” Fyfe notes.

The Police chief believes that tighter rules may be needed to prevent people from breaking the law in the future. This could mean that not everyone is allowed to launch a website, but that a license would be required, for example.

“There may well come a time when government decides it's had enough and it's not getting enough help from those main companies that control the way we use the internet – they're not getting enough help from them, so they're going to start imposing regulations, imposing a code of conduct about the way people may be allowed to operated on the internet,” Fife says.

PIPCU’s head doesn’t detail what the “code of conduct” might look like or how it may be enforced. Perhaps it’s finally time for the Internet passport to be introduced?

We’re keen on having this debate as well, so please feel free to leave a comment and let us know what you think.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Court Orders Warner Bros. to Reveal Flawed Anti-Piracy Technology

Posted: 27 Sep 2014 10:53 AM PDT

warnerThree years ago file-hosting service Hotfile countersued Warner Bros., accusing the movie studio of repeatedly abusing the DMCA takedown process.

Hotfile alleged that after giving Warner access to its systems, the studio removed hundreds of files that weren’t theirs, including games demos and Open Source software.

The case was poised to reveal how Warner Bros. anti-piracy system works and what mistakes were made by the movie studio. But last November, a few weeks before the trial was due to begin, the case was closed as part of a settlement between Hotfile and the MPAA.

The decision was a disappointment to the Electronic Frontier Foundation (EFF) who asked the court to unseal documents regarding Warner’s alleged abuse. According to the group, the public has the right to know what mistakes Warner made.

Warner Bros. objected to this request, arguing that the effectiveness of their anti-piracy technology would be undermined by a public disclosure. The movie studio asked the Court to permanently seal the records, but during an oral hearing this week U.S. District Judge Kathleen Williams denied this request.

The Judge ordered Warner Bros. to hand over some of the information within ten days, and come up with a schedule for the release of all relevant documents. According to Judge Williams the public has the right to see how Warner Bros. handles DMCA takedown requests.

The EFF is happy with the ruling, and says it will help legislators to refine and improve the current DMCA process. This year both the Patent and Trademark Office and the U.S. House Judiciary Committee have looked into possible changes to the current process.

“More information about how the DMCA process has been abused – particularly through automated takedown systems with inadequate human review – will help us improve it, and hold people responsible when they use this powerful tool of censorship abusively or without caution,” EFF’s Mitch Stoltz says in a comment.

“The sealed documents from the Hotfile case will help,” he adds.

While it’s too late for Hotfile, it is definitely valuable to see what how Warner Bros. made its mistakes and how their piracy takedown technology is set up.

“We're pleased that Judge Williams preserved the public's right to open court proceedings here, and we are looking forward to a close analysis of the Warner documents when they are released,” Stoltz concludes.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Torrentfreak: “Gottfrid Svartholm Trial: IT Experts Give Evidence” plus 2 more

Torrentfreak: “Gottfrid Svartholm Trial: IT Experts Give Evidence” plus 2 more


Gottfrid Svartholm Trial: IT Experts Give Evidence

Posted: 27 Sep 2014 01:23 AM PDT

The hacking trial of Gottfrid Svartholm and his alleged 21-year-old Danish accomplice continued this week in Copenhagen, Denmark. While Gottfrid is well known as a founder of The Pirate Bay, his co-defendant’s identity is still being kept out of the media.

In what's being described as the largest case of its kind ever seen in the Scandinavian country, both stand accused of hacking computer mainframes operated by US IT giant CSC. This week various IT experts have been taking the stand.

On Tuesday, IT investigator Flemming Grønnemose appeared for the third time and stated that during the summer and fall of 2012, Swedish police had tipped off Danish police about possible hacker attacks against CSC.

According to DR.dk, as part of Grønnemose’s questioning Gottfrid’s lawyer Luise Høj raised concerns over a number of changes that had taken place on her client’s computer since it had been taken into police custody.

Grønnemose admitted that when police installed programs of their own onto the device, security holes which could have been exploited for remote control access could have been closed. However, it appears police also have an exact copy of the machine in an unmodified state.

Further evidence centered around the IP addresses that were traced during the attacks. IP addresses from several countries were utilized by the attackers including those in Cambodia, Germany, Iran, Spain and the United States. German police apparently investigated the local IP address and found that it belonged to a hacked server in a hosting facility.

The server had not been rented out for long, but was still on and had been taken over by hackers, Grønnemose said. According to the prosecution, the same server also featured in last year’s Logica case in Sweden. Gottfrid was found guilty in that case and sentenced to two years in jail.

Another IT expert called to give evidence on the same day was Allan Lund Hansen who had examined the files found on Gottfrid’s computer. Those files, garnered from the CSC hack, contained thousands of names, addresses and social security numbers of Danish citizens. Since the files were in an encrypted folder along with data from earlier attacks on IT company Logica and the Nordea bank, the prosecution are linking the files to Gottfrid.

On Thursday, DR.dk reported that the debate over Gottfrid’s computer being remotely controlled continued. Previously Jacob Appelbaum argued that an outside attacker could have used the machine to carry out the attacks but defense experts from the Center for Cyber ​​Security disputed that.

This week Thomas Krismar from the Center said that Python scripts found on Gottfrid’s computer were able to carry out automated tasks but in this case remote control was unlikely to be one of them.

“There are two characteristics we always look for when we try to discover remote control features. The first is one that starts automatically when you turn on your computer since the attacker will always try to maintain their footing on the computer. The second is one that ‘phones home’ to indicate that it is ready to receive commands,” Krismar said.

The script in question on Gottfrid’s machine needed to be started manually and did not attempt to make contact with anything on the web, the expert said.

Also appearing Thursday were further witnesses including Joachim Persson of Stockholm police who investigated Gottfrid’s computers after his arrest in Cambodia.

Persson said he found a tool known as Hercules, a sophisticated piece of software that emulates the kind of systems that were hacked at CSC. Persson did note, however, that such tools have legitimate uses for those learning how to operate similar systems.

The trial continues.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Thom Yorke Sells New Album via Paywall Protected Torrent

Posted: 26 Sep 2014 11:44 AM PDT

Radiohead's Tom Yorke has been very critical of new music services such as Spotify. Last year he pulled his music from the popular streaming service claiming that "new artists get paid fuck all."

Yorke would like to see more money flowing to the artists and in an effort to accomplish this goal he has teamed up with BitTorrent Inc.

The San-Francisco company has experimented with artist bundles for a while and together with Yorke they have now launched their first paywalled torrent. After paying $6, fans can download Yorke’s “Tomorrow’s Modern Boxes” album via a protected torrent file.

“It’s an experiment to see if the mechanics of the system are something that the general public can get its head around,” Thom Yorke and Nigel Godrich write in a joint statement.

“If it works well it could be an effective way of handing some control of internet commerce back to people who are creating the work. Enabling those people who make either music, video or any other kind of digital content to sell it themselves. Bypassing the self elected gate-keepers,” they add.

In recent years BitTorrent Inc. has been working very hard to show that its technology can be used for more than “piracy” and today’s bundle is a prime example. After releasing various free samples from other artists, Yorke’s full album is definitely a breakthrough.

The paywall and other restrictions are not something traditional BitTorrent users are used to, but it’s a necessary “evil” to draw mainstream artists to the model.

BitTorrent Inc. emphasizes that the album itself is DRM-free but that the torrents do have copy protection. This means that people can’t easily share them with others who haven’t paid.

“BitTorrent Bundles features protected torrents, limiting the number of times a torrent can be downloaded. While Bundle content is DRM-free, torrents are protected with this new way of managing how often a Bundle is downloaded,” BitTorrent Inc. notes.

This works very much like private trackers, where only members can share files with each other. With the “Tomorrow’s Modern Boxes” torrent those who pay are a “member” and only they can share the file.

It will be interesting to see if other artists are also willing to join the experiment. A full album for $6 definitely sounds like a fair price and the artists get to keep most of the cash. BitTorrent Inc. says it currently gets 10% of the revenue for enabling the distribution.

Perhaps unsurprisingly, several unauthorized torrents without a paywall are also doing the rounds on various torrent sites. The good news is, however, that the paywalled version currently has more people sharing than the pirated one.

Those interested in Thom Yorke’s “Tomorrow’s Modern Boxes” can grab a copy here.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Most Top Films Are Not Available on Netflix, Research Finds

Posted: 26 Sep 2014 08:32 AM PDT

netflix-logoThere is little doubt that, in the United States, Netflix has become the standard for watching movies on the Internet.

The subscription service is responsible for a third of all Internet traffic during peak hours, dwarfing that of online piracy and other legal video platforms.

It’s safe to assume that Netflix is the best and most convenient alternative to piracy at this point. That is, if the service carries the movies people want to see. This appears to be a problem.

Research firm KPMG has just released a new study that looks at the online availability of the 808 most popular and critically acclaimed films. The study was commissioned by NBC Universal and praised by the MPAA, presumably to dispel the argument that many people pirate because they don’t have the option to watch some films legally.

“This first-of-its-kind report analyzed the availability of 808 different film titles over 34 major online video distribution services and found that 94 percent of the films were available on at least one service,” MPAA’s Chris Dodd commented on the study.

The MPAA is right that most of the movies are available through online stores and rental services. However, the Hollywood group conveniently ignores the lacking availability on popular subscription platforms which services such as Netflix and Hulu use.

This is not a minor oversight as the study finds that availability of top films on Netflix and other subscription services is very low.

Although KPMG decided not to mention it in the executive summary of the report, the findings show that only 16% of the films are available through on-demand subscription services (SOVD).

Availability of the top films

topfilmavail

The above sheds a different light on the availability argument. Because, what good is it if 94 percent of the films are available online, but (at least) 84% are missing from the most-used movie service?

After all, most people prefer to get their movies in one place as it’s not very convenient to use a few dozen services to get your movie fix.

Of course this is not an excuse for people to go out and download films without permission, and we have to admit that a lot of progress has been made on the availability side in recent years. However, Hollywood can definitely learn from the music industry, where most of the popular content is available through subscription services.

From the availability point of view there’s another issue worth pointing out. The most pirated titles are usually recent releases, and these are generally not available, not even through iTunes, Amazon or rental services.

This is also illustrated in the KPMG report which shows that 100% of the top 2012 films are available online, compared to 77% of the 2013 releases. It’s probably safe to say that the majority of all pirated downloads are of films that are not yet legally available.

In other words, there’s still plenty of improvement possible.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Torrentfreak: “Pirate Logos Justification For Website Blockades, Cartier Says” plus 2 more

Torrentfreak: “Pirate Logos Justification For Website Blockades, Cartier Says” plus 2 more


Pirate Logos Justification For Website Blockades, Cartier Says

Posted: 26 Sep 2014 12:18 AM PDT

stop-blockedThe UK is now one of the easiest countries in the world to obtain a website blocking injunction on copyright grounds. While much work had to be done initially, having websites filtered out by the leading ISPs is now a streamlined and largely closed-door practice.

Child protection issues aside, up until now it has been copyright holders leading the charge for websites to be blacked out. Dozens of sites are affected, with the majority of the world’s leading file-sharing portals now inaccessible by regular means. If the parent company of luxury watchmaker Cartier has its way, soon a new and potentially more widespread wave of website blockades will begin.

Compagnie Financière Richemont S.A. owns several well-known luxury brands including Cartier and Mont Blanc. For some time it has been trying to pressure sites offering counterfeits into closing down, but without success. Mirroring the tactics being employed by the studios and recording labels, Richemont has essentially given up on that approach and has decided to take legal action ISPs instead.

In March 2014, Richemont reportedly wrote to the country’s leading ISPs (Sky, TalkTalk, BT, Virgin Meda, EE, Telefonica (O2)) complaining that third party sites were engaged in illegal activity and were displaying pirated logos which infringe on Richemont trademarks.

In May the ISPs responding by telling the company that it had not done enough to have the sites close down, such as contacting their webhosts to have service discontinued. The ISPs also complained that by blocking the websites there was a chance that legitimate trade could be affected. An unfair financial burden for the ISPs was also a probability, particularly given the number of likely copycat requests if the application was successful.

While it appears the ISPs are putting up more of a fight in this case than they did with entertainment company blocking requests, those were actioned under copyright law where injunctions against service providers are catered for. UK trademark law has no such direct provision.

The case, which is now being heard at the High Court, has attracted the attention of the Open Rights Group. ORG says it takes no view on the merits of the case, but has been given permission to intervene in order to raise awareness over the possibility that third party interests could be affected if blocking injunctions are granted.

"As the court is being asked to extend the circumstances in which blocking orders are granted, it’s vital that the wider public interest is taken into account. We hope that our intervention will help ensure that future claimants cannot use blocking orders to restrict legitimate activity or free speech," says ORG Legal Director Elizabeth Knight.

ORG says its concern is that if Geneva-based Richemont are successful, further applications could be made which are contrary to public interest. These could include blocking sites that use logos to legitimately criticize or parody well known brands

“Court blocking orders may also affect commercial third parties who have no involvement in any alleged infringement – for example law abiding businesses whose products appear on websites alongside those of companies involved in infringing activity,” the group says.

It remains to be seen how smoothly the process pans out, but there could be interesting side effects. Entertainment industry companies and artists also own plenty of trademarks that are often displayed on ‘pirate’ websites. If the trademark route proves a simple one, that could end up being their chosen path for future blocking requests.

Mr Justice Arnold has requested submissions on how third party rights could be affected if injunctions are granted. ORG will ensure he gets the message.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Lionsgate Hopes Server Logs Will Expose Expendables Leaker

Posted: 25 Sep 2014 12:23 PM PDT

expendablespiracyOver the past two months movie studio Lionsgate has rolled out an unprecedented anti-piracy campaign to stop people from sharing leaked copies of The Expendables 3.

Aside from dragging six file-sharing sites to court, Lionsgate sent out hundreds of thousands of takedown notices to websites that linked to pirated copies of the leaked movie.

While this campaign had some success, the studio has yet to identify who first published the leaked copy online. In a new court request filed at a California federal court Lionsgate states that the weblogs of file-hosting service Swankshare.com may provide more details.

Swankshare is one of the sites that was targeted in Lionsgate’s lawsuit. Following a preliminary injunction the site’s servers were taken down by its hosting company FDCServers. However, the Expendables makers now want to gain access to the server logs to see who uploaded the leaked copy of the film.

“Lions Gate is informed and believes that as the website host for Swankshare, FDCServers is likely to have weblogs and other data evidencing traffic on Swankshare that will be useful to Lions Gate in its investigation of the source of the infringement at issue in this lawsuit,” Lionsgate’s lawyers inform the court.

The request suggests that there is reason to believe that Swankshare may have been used by the initial leaker. However, it’s currently unknown whether the movie studio has any concrete leads to proof this or if it’s merely grasping at straws.

Lionsgate’s request

lionslogs

The court filing also shows that the movie studio has been able to track down the owner of Swankshare, Mr. Lucas Lim. They are currently trying to resolve their dispute, and as part of these discussions Mr. Lim agreed that Lionsgate can access the sites server logs.

“Lions Gate and Mr. Lim have discussed whether a resolution of the dispute between them might be possible, and to further those discussions Mr. Lim has stipulated that Lions Gate may seek authority from the Court to serve a subpoena on FDCServers for the production of weblogs and other data evidencing traffic on Swankshare,” they explain.

Hosting provider FDCServers is willing to cooperate but requested clarification from the court that it’s permitted to grant access to the servers, as they were ordered to take them offline in the previous injunction.

Whether the server logs will indeed expose the initial leaker has yet to be seen, but Lionsgate has clearly not given up the effort to track down the source.

Meanwhile, the movie studio continues to stop the distribution of The Expendables 3 via various file-sharing sites.

Earlier this week the court approved a request to add Limetorrents.net and Torrentdownload.biz to the injunction as these sites are connected to the owner of Limetorrents.com. Both sites currently remain online but no longer list any copies of Expendables 3.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Google to News Corp: Nobody Fights Piracy Like Us

Posted: 25 Sep 2014 08:33 AM PDT

google-waterIn an open letter to the European competition commissioner earlier this month, News Corp CEO Robert Thomson was highly critical of Google.

Thompson began by speaking warmly of Google’s roots as a “wonderfully feisty” Silicon Valley startup, but that developed into warnings over its immense power today as an “often unaccountable bureaucracy”. And, as is so often the case with Google’s rivals, matters soon turned to Google’s attitudes towards online piracy.

“The shining vision of Google's founders has been replaced by a cynical management, which offers advertisers impressively precise data about users and content usage, but has been a platform for piracy and the spread of malicious networks, all while driving more traffic and online advertising dollars to Google,” Thompson said.

The News Corp statement was never likely to go unanswered and today Google officially returned fire.

“Google has done more than almost any other company to help tackle online piracy,” said Rachel Whetstone, Google's senior vice president of global communications.

“In 2013 we removed 222 million web pages from Google Search due to copyright infringement. The average take-down time is now just six hours,” she added.

The SVP also underlined Google’s earlier assertions that sites found to repeatedly violate copyright get downgraded in search rankings. It’s something the movie studios and record labels have being demanding for some time but although Google insists it delivers, few content creators appear pleased with the results.

On YouTube, however, things play out somewhat differently. Whetstone reminded News Corp that Google has spent tens of millions of dollars developing technology such as its ContentID, a system that not only combats piracy but enables creators to monetize their content.

And hitting back at the accusation that Google has been a platform for the spread of malicious networks, Whetstone said the company is committed to protecting its users' security.

“It's why we remove malware from our search results and other products, and protect more than 1 billion users every day from phishing and malware with our Safe Browsing warnings,” she said.

In response to News Corp accusations that Google undermines the business models of high quality content creators with “egregious aggregation", Whetstone said that the days of news being controlled by a small number of media organizations were over.

“Today, people have far greater choice. That has had a profound impact on newspapers, who face much stiffer competition for people's attention and for advertising Euros,” the SVP said.

“Google has worked hard to help publishers succeed online — both in terms of generating new audiences and also increasing their digital revenues. Our search products drive over 10 billion clicks a month to 60,000 publishers' websites, and we share billions of dollars annually with advertising publishing partners.”

Finally, in a moment of comedy but with a serious point, Whetston held up a mirror to News Corp in response to its argument that Google’s actions could lead to “a less informed, more vexatious level of dialogue in our society” and only add to “the intemperate trends we are already seeing in much of Europe.”

By linking to an image of a front page published by Murdoch’s ‘The Sun’ tabloid, Google makes clear that if you’re going to criticize others, getting your own house in order should always come first.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.