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TorrentFreak Email Update


Aussie Govt. To Consider Site Blocking, File-Sharing Warnings

Posted: 05 May 2014 12:48 AM PDT

pirate-runningFor years Australia has wrestled with the thorny issue of online piracy. Citizens have long complained of being treated as second class consumers, in many cases having to wait months or years for new content from the United States to appear Down Under. This has only fueled the uptake of illegal file-sharing.

While there are signs that plans for improved availability of content might be developing, impatient entertainment companies want action now, and talks with ISPs have failed to show significant progress.

The threat that the government could get involved if voluntary agreements can not be reached has always loomed in the background, and now it seems that the government is getting ready to act. According to Fairfax (subscription), as early as this week the federal cabinet will consider two proposals to crack down on illegal file-sharing.

The first proposal, of sending letters to those found infringing copyright online, will already be familiar to Internet users in the United States, France, New Zealand, Taiwan and South Korea. The idea is that persistent infringers receive subsequent and increasingly threatening letters in order to deter future offending but there is still debate whether such mechanisms are effective.

It will perhaps come as no surprise that the second discussion will center on the blocking or censoring of so-called ‘pirate’ sites by local ISPs, with the effect that their subscribers can no longer access them.

Andrew Maiden, CEO of ASTRA, the industry body for subscription TV, told Mumbrella that the legislative changes required to effect the above could be brought in as early as mid or late June this year.

"They have already made commitments to take action against piracy so I would think they would want to act sooner rather than later," Maiden said.

While there are few details on the proposed letter-writing scheme, entertainment companies will be hoping that there will be consequences for those who fail to heed advice to stop downloading and sharing copyrighted material. At this stage, however, no punitive measures are being reported for the Aussie scheme.

But even before letter writing begins, there are complex issues for the government to overcome. In the past talks between movie and music companies and Aussie ISPs have deadlocked over, among other things, who should pay for such a program. There are no signs that the parties have reached consensus on this or any other matter.

On site blocking, it is expected that entertainment companies will be allowed to go to court to obtain injunctions against sites such as The Pirate Bay, which will compel local ISPs to block the sites. This same strategy is being used in several countries in Europe, notably the UK, although not in the United States where many of the entertainment companies are based.

blocktpb1However, the big difference with Australia is that as a result of content being made available elsewhere first, Aussie citizens have already become adept at using VPN and proxy services to access legal services such as Netflix. The exact same techniques can be used to access a blocked Pirate Bay, for example.

With the Australian government having previously promised to make “significant” changes to Australia's copyright laws, the movie and music industries will be hoping that 2014 turns out to be a productive year. In the meantime, companies such as Google will continue to remind the Australian government that piracy is a pricing and availability problem.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Top 10 Most Pirated Movies of The Week – 05/05/14

Posted: 05 May 2014 12:48 AM PDT

robocopThis week we have five newcomers in our chart.

RoboCop is the most downloaded movie this week.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are BD/DVDrips unless stated otherwise.

RSS feed for the weekly movie download chart.

Ranking (last week) Movie IMDb Rating / Trailer
torrentfreak.com
1 (…) RoboCop 6.5 / trailer
2 (1) Captain America: The Winter Soldier (Cam/TS) 8.3 / trailer
3 (…) Pompeii 6.0 / trailer
4 (…) The Monuments Men 6.2 / trailer
5 (3) Vampire Academy 6.3 / trailer
6 (2) That Awkward Moment 6.2 / trailer
7 (…) I Frankenstein 5.2 / trailer
8 (7) Rio 2 (HDTS) 6.8 / trailer
9 (…) About Last Night 6.2 / trailer
10 (6) Her 8.2 / trailer

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

How To Crack The Facade In Any Copyright Monopoly Discussion

Posted: 04 May 2014 12:37 PM PDT

copyright-brandedIn my last column, I explained how the copyright monopoly is fundamentally incompatible with private communications as a concept, and how we must weigh a silly distribution monopoly for one of many entertainment industries against such vital functions of society as whistleblower protection, freedom of the press, and the ability to hold a private conversation in the first place. While this argument is strong, it does require a bit of intelligence and the ability to see how two ideas conflict, so it can be hard to get across to copyright monopoly pundits.

The threat against private communications isn’t the only thing wrong with the copyright monopoly, of course. I have previously argued here on TorrentFreak that there’s really nothing defensible about the monopoly at all. But in order to break the spell of “publishers have always told me that the copyright monopoly is good and I have never had any reason to question their self-interest in the matter”, there are other tricks of honest, effective argumentation.

While it’s possible to attack the copyright monopoly construct from many angles – all of them, in fact – some fruit is more low-hanging than others. One easy angle is to point at the usual (horrible) motivation of the copyright monopoly; that it “enables creators to make money” (which is factually false, misleading, and dishonest). If you’re talking to a monopoly pundit, or just somebody who hasn’t had reason to question the monopoly, this point will come up sooner or later.

Once this point comes up, it’s an open goal. To make sure you understood the point correctly, reiterate back; “So your point is that they should be rewarded with a monopoly to make money, in order to give them an incentive to create more art?” Any monopoly pundit will nod enthusiastically.

Then, score the goal. “So why does the monopoly last 70 years after the author’s death? I don’t know of a single author who keeps writing books after they’re dead and buried. The copyright monopoly term is at least 70 years – a whole lifetime – too long. And if it is that obviously 70 years too long, then it’s absurd in the first place.”

Occasionally, you’ll see some fightback that their children and grandchildren and great-grandchildren should inherit the privileges of the author, which you can easily refute by pointing out that the purpose was already agreed to be an incentive for the artist to create more art, not for their children to get privileged at the expense of others.

Once you have established that the copyright monopoly term is indefensively long – at least a lifetime too long – then the facade of pretend perfection is broken. If something as fundamental as that can be questioned, and it can, then everything else is also up in the air.

Have fun making the pennies drop and the facades crack.

About The Author

Rick Falkvinge is a regular columnist on TorrentFreak, sharing his thoughts every other week. He is the founder of the Swedish and first Pirate Party, a whisky aficionado, and a low-altitude motorcycle pilot. His blog at falkvinge.net focuses on information policy.

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Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.