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Movie Piracy Combated by Narrowing Theatrical Release Window

Posted: 16 Jun 2014 01:32 AM PDT

cammer1While its popularity has waned in recent years, the issue of camcorder piracy is often spoken about in crisis terms by the major movie studios.

Part of the reason camming occurs, however, is down to the exclusivity enjoyed by the world’s theater chains, meaning that while a mainstream movie is being shown in a cinema, it is not available anywhere else. It will not be available on Netflix nor will it be available for purchase on Blu-ray or DVD. This creates a convenient opening for the black market.

Of course, pretty much the whole time a movie is showing in theaters it will be available both online and on DVD, because someone, somewhere, will have recorded it illegally. True exclusivity only exists in the minds of the theaters and distributors.

Just lately it’s been extremely popular for Australians to be criticized for their piracy habits, an activity sometimes justified by films not being made available quickly enough Down Under. This morning it’s been revealed that the group representing the Australian film and TV home entertainment industry intend to do something about that.

Speaking with Fairfax Media, Australian Home Entertainment Distributors Association chief executive officer Simon Bush said that the current theatrical window will be narrowed in an effort to reduce piracy.

“This 120 days is not the hard and fast rule anymore and there will be some studios this year that will be coming in around the 90 days,” Bush said. “[The studios] don’t like the fact that they are losing out a lot of money to piracy.”

It’s hoped that the shortening of the delay will go someway towards reducing illegal movie downloads in Australia by providing content in alternative formats in a more timely fashion. That being said, AHEDA still wish to preserve the big screen’s exclusivity in the market and its position as the premier location for early viewing.

“It continues to ensure that the theatrical window retains its rightful prominence in the market as the premium movie experience, but also allows the consumer to increasingly access the film earlier digitally and on DVD and Blu-ray and thus reduce what some refer to as the ‘piracy window’,” Bush said of the narrowing window.

While improved availability is key to reducing piracy, theaters will undoubtedly balk at the further erosion of their exclusive window of opportunity. However, according to comments made by DreamWorks Animation chief Jeffrey Katzenberg, release windows could collapse almost entirely in the next ten years.

"I think the model will change and you won't pay for the window of availability. A movie will come out and you will have 17 days, that's exactly three weekends, which is 95% of the revenue for 98% of movies,” Katzenberg told the Milken Global Conference in Beverly Hills earlier this year.

“On the 18th day, these movies will be available everywhere ubiquitously and you will pay for the size. A movie screen will be $15. A 75" TV will be $4.00. A smartphone will be $1.99. That enterprise that will exist throughout the world, when that happens, and it will happen, it will reinvent the enterprise of movies," he said.

In the meantime, the Australian government will try to legislate its way out of the piracy problem, by imposing “three strikes” style schemes on its citizens and pressuring ISPs to take responsibility for the actions of their subscribers.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

Top 10 Most Pirated Movies of The Week – 06/16/14

Posted: 15 Jun 2014 11:55 PM PDT

300riseThis week we have three newcomers in our chart.

300: Rise Of An Empire is the most downloaded movie for the second week in a row.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are BD/DVDrips unless stated otherwise.

RSS feed for the weekly movie download chart.

Ranking (last week) Movie IMDb Rating / Trailer
torrentfreak.com
1 (1) 300: Rise Of An Empire 6.6 / trailer
2 (3) X-Men: Days of Future Past (HDCAM) 8.5 / trailer
3 (4) The Grand Budapest Hotel 8.3 / trailer
4 (2) Street Fighter: Assassin’s Fist 8.5 / trailer
5 (…) Edge of Tomorrow (TS/Cam) 8.2 / trailer
6 (10) Rio 2 6.7 / trailer
7 (…) A Million Ways to Die in the West (Webrip) 6.4 / trailer
8 (6) The Lego Movie 8.2 / trailer
9 (5) Non-Stop 7.2 / trailer
10 (…) Sleeping Beauty 3.1 / trailer

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

WordPress Demands $10,000 For DMCA Takedown Censorship

Posted: 15 Jun 2014 08:55 AM PDT

wordpressAutomattic, the company behind the popular WordPress blogging platform, has seen a rapid increase in DMCA takedown notices in recent years.

Most requests are legitimate, aimed at disabling access to copyright-infringing material. However, there are also many overbroad and abusive takedown notices which take up a lot of the company’s time and resources.

Last November, WordPress decided to take a stand against these fraudulent practices. The company teamed up with student journalist Oliver Hotham who had one of his articles censored by a false takedown notice.

Hotham wrote an article about “Straight Pride UK” which included a comment he received from the organization’s press officer Nick Steiner. The latter didn’t like the article Hotham wrote, and after publication Steiner sent WordPress a takedown notice claiming it was infringing on his copyrights.

Through a lawsuit filed in a California federal court, WordPress and Hotham now hope to be compensated for the damage this abuse caused them.

“The information in the press release that Hotham published on his blog did not infringe any copyright because Hotham had permission to publish it. It was a press release, which by its very nature conveys the intent to ‘release’ information to the ‘press’,” WordPress’ attorney explains to the court.

The company says that as an online service provider it faces overwhelming and crippling copyright liability if it fails to take down content. People such as Steiner abuse this weakness to censor critics or competitors, and they have to be stopped.

“Steiner's fraudulent takedown notice forced WordPress to take down Hotham's post under threat of losing the protection of the DMCA safe harbor,” WordPress argues.

“Steiner did not do this to protect any legitimate intellectual property interest, but in an attempt to censor Hotham's lawful expression critical of Straight Pride UK. He forced WordPress to delete perfectly lawful content from its website.As a result, WordPress has suffered damage to its reputation,” the company adds.

Since Steiner failed to respond in court WordPress and Hotham have requested a default judgment. In a recent filing they demand a total of $10,000 in damages as well as $14,520 in attorneys' fees.

If the court agrees with the request it will be mostly a symbolic win, and hopefully a signal to other copyright holders that false DMCA takedown requests are not without consequence.

During a House Judiciary Subcommittee hearing on the DMCA takedown system earlier this year, Automattic General Counsel Paul Sieminski also stressed the importance of this issue to lawmakers,

"The system works so long as copyright owners use this power in good faith. But too often they don't, and there should be clear legal consequences for those who choose to abuse the system,” Sieminski said.

In a few weeks we’ll know if the court agrees.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.