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Torrentfreak: “Leaked Draft Reveals Hollywood’s Anti-Piracy Plans” plus 3 more

Torrentfreak: “Leaked Draft Reveals Hollywood’s Anti-Piracy Plans” plus 3 more


Leaked Draft Reveals Hollywood’s Anti-Piracy Plans

Posted: 28 Aug 2014 02:59 AM PDT

us-ausAs the discussions over the future of anti-piracy legislation in Australia continue, a draft submission has revealed the wish-list of local movie groups and their Hollywood paymasters.

The draft, a response to a request by Attorney-General George Brandis and Communications Minister Malcolm Turnbull for submissions on current anti-piracy proposals, shows a desire to apply extreme pressure to local ISPs.

The authors of the draft (obtained by Crikey, subscription, ) are headed up by the Australia Screen Association, the anti-piracy group previously known as AFACT. While local company Village Roadshow is placed front and center, members including the Motion Picture Association, Disney, Paramount, Sony, Twentieth Century Fox, Universal and Warner make for a more familiar read.

Australian citizens – the world’s worst pirates

The companies begin with scathing criticism of the Australian public, branding them the world’s worst pirates, despite the ‘fact’ that content providers “have ensured the ready availability of online digital platforms and education of consumers on where they can acquire legitimate digital content.” It’s a bold claim that will anger many Australians, who even today feel like second-class consumers who have to wait longer and pay more for their content.

So what can be done about the piracy problem?

The draft makes it clear – litigation against individuals isn’t going to work and neither is legal action against “predominantly overseas” sites. The answer, Hollywood says, can be found in tighter control of what happens on the Internet.

Increased ISP liability

In a nutshell, the studios are still stinging over their loss to ISP iiNet in 2012. So now, with the help of the government, they hope to introduce amendments to copyright law in order to remove service providers’ safe harbor if they even suspect infringement is taking place on their networks but fail to take action.

“A new provision would deem authorization [of infringement] to occur where an ISP fails to take reasonable steps – which are also defined inclusively to include compliance with a Code or Regulations – in response to infringements of copyright it knows or reasonably suspects are taking place on its network,” the draft reads.

“A provision in this form would provide great clarity around the steps that an ISP would be required to take to avoid a finding of authorization and provide the very kind of incentive for the ISP to cooperate in the development of a Code.”

With “incentives” in place for them to take “reasonable steps”, ISPs would be expected to agree to various measures (outlined by a ‘Code’ or legislation) to “discourage or reduce” online copyright infringement in order to maintain their safe harbor. It will come as no surprise that subscriber warnings are on the table.

‘Voluntary’ Graduated Response

“These schemes, known as 'graduated response schemes', are based on a clear allocation of liability to ISPs that do not (by complying with the scheme) take steps to address copyright infringement by their users,” the studios explain.

“While this allocation of liability does not receive significant attention in most discussions of graduated response schemes, common sense dictates that the schemes would be unlikely to exist (much less be complied with by ISPs) in the absence of this basic incentive structure.”

While pointing out that such schemes are in place in eight countries worldwide, the movie and TV companies say that a number of them contain weaknesses, a trap that Australia must avoid.

“There are flaws in a number of these models, predominantly around the allocation of costs and lack of effective mitigation measures which, if mirrored in Australia, would make such a scheme ineffective and unlikely to be used,” the paper reads.

It appears that the studios believe that the US model, the Copyright Alerts System (CAS), is what Australia should aim for since it has “effective mitigation measures” and they don’t have to foot the entire bill.

“Copyright owners would pay their own costs of identifying the infringements and notifying these to the ISP, while ISPs would bear the costs of matching the IP addresses in the infringement notices to subscribers, issuing the notices and taking any necessary technical mitigation measures,” they explain.

In common with the CAS in the United States, providers would be allowed discretion on mitigation measures for persistent infringers. However, the studios also imply that ISPs’ ‘power to prevent’ piracy should extend to the use of customer contracts.

“[Power] to prevent piracy would include both direct and indirect power and definitions around the nature of the relationship which would recognize the significance of contractual relationships and the power that they provide to prevent or avoid online piracy,” they write.

Voluntary agreements, required by law, one way or another

The key is to make ISPs liable first, the studios argue, then negotiations on a “voluntary” scheme should fall into place.

“Once the authorization liability scheme is amended to make clear that ISPs will be liable for infringements of copyright by their subscribers which they know about but do not take reasonable steps to prevent or avoid, an industry code prescribing the content of those 'reasonable steps' is likely to be agreed between rightsholders and ISPs without excessively protracted negotiations.”

However, any failure by the ISPs to come to the table voluntarily should be met by legislative change.

“In the absence of any current intention of and incentive for ISPs in Australia to support such a scheme (and the strong opposition from some ISPs) legislative recognition of the reasonable steps involved in such a scheme is necessary,” they write.

Site blocking

Due to “weakness” in current Australian law in respect of ISP liability, site blocking has proved problematic. What the studios want is a “no-fault” injunction (similar to the model in Ireland) which requires ISPs to block sites like The Pirate Bay without having to target the ISPs themselves.

“Not being the target of a finding against it, an ISP is unlikely to oppose the injunction – as long as the procedural requirements for the injunction are met. Once made, a blocking injunction would immediately prevent Australian internet users from being tempted to or accessing the blocked sites,” the studios explain.

Despite The Pirate Bay doubling its traffic in the face of extensive blocking across Europe, the movie companies believe that not blocking in Australia is part of the problem.

“The absence of a no-fault procedure may explain the very high rates of film and TV piracy in Australia when compared with European countries
that have such a procedure,” they write.

Unsurprisingly, the studios want to keep the bar low when it comes to such injunctions.

“The extended injunctive relief provision should not require the Court to be satisfied that the dominant purpose of the website is to infringe copyright,” they urge.

“Raising the level of proof in this way would severely compromise the effectiveness of the new provision in that it would become significantly more difficult for rightsholders to obtain an injunction under the scheme: allegedly non-infringing content would be pointed to in each case, not for reasons of freedom of access to information on the internet, but purely as a basis to defeat the order.”

The studios also want the ISPs to pick up the bill on site-blocking.

“[Courts in Europe] have ordered the costs of site blocking injunctions be borne by the ISP. The Australian Film/TV Bodies submit that the same position should be adopted in Australia, especially as it is not likely that the evidence would be any different on a similar application here,” they add.

Conclusion

If the studios get everything they’ve asked for in Australia, the ensuing framework could become the benchmark for models of the future. There’s a still a long way to go, however, and some ISPs – iiNet in particular – won’t be an easy nut to crack.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

LA Police: Online Piracy Funds Drug Dealers and Terrorists

Posted: 27 Aug 2014 11:59 AM PDT

lacountyEarlier this month we reported how media conglomerate ABS-CBN is going after several website owners who link to pirated streams of its programming.

The Philippines-based company filed a lawsuit at a federal court in Oregon looking for millions of dollars in damages from two local residents. The court case has barely started but that didn’t prevent ABS-CBN from using its journalistic outlet to taint public opinion.

In a news report released by its American branch, the company slams the defendants who they align with hardcore criminals.

The coverage is presented as news but offers no balance. Instead it frames online piracy as a threat to everyone, with billions of dollars in losses that negatively impact America’s education and health care budgets.

But it gets even worse. It’s not just public services that are threatened by online piracy according to the news outlet, national security is at stake as well.

“Piracy actually aids and abets organized crime. Gangs and even terrorist groups have reportedly entered the piracy market because the penalties are much lighter than traditional crimes such as drug dealing – and the profit could be much higher,” ABS-CBN’s senior reporter Henni Espinosa notes.

It’s not the first time that we have heard these far-fetched allegations. However, for a news organization to present them without context to further its own cause is a line that not even the MPAA and RIAA would dare to cross today.

The Los Angeles County Sheriff’s Department, on the other hand, has also noticed the link with organized crime and terrorism.

"[Piracy is] supporting their ability to buy drugs and guns and engage in violence. And then, the support of global terrorism, which is a threat to everybody," LA County Assistant Sheriff Todd Rogers tells the new outlet.

Los Angeles County police say that piracy is one of their top priorities. They hope to make the local neighborhoods a little safer by tracking down these pirates and potential terrorists.

“To identify bad guys that we need to take out of the community so the rest of the folks can enjoy their neighborhood and their families," Rogers concludes.

Since the above might have to sink in for a moment, we turn to the two Oregon citizens who ABS-CBN based the report on. Are Jeff Ashby and his Filipina wife Lenie Ashby really hardcore criminals?

Based on public statistics the five sites they operated barely had any visitors. According to Jeff he created them for his wife so she could enjoy entertainment from her home country. He actually didn’t make any copies of the media but merely provided links to other websites.

'I created these websites for my wife who is from the Philippines, so she and others who are far from the Philippines could enjoy materials from their culture that are otherwise unavailable to them, Jeff Ashby wrote to the court.

“Since these materials were already on the web, we did not think there would-be a problem to simply link to them. No content was ever hosted on our server,” he adds.

The websites were all closed as soon as the Oregon couple were informed about the lawsuit. They regret their mistake and say they didn’t know that it could get them into trouble, certainly not $10 million worth of it.

So are these really the evil drug lords or terrorists the Los Angeles County Sheriff’s Department and ABS-CBN are referring to?

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

TV Network Used Piracy to Develop Streaming Services

Posted: 27 Aug 2014 08:36 AM PDT

pirate-cardWhen it comes to the heated piracy debate the opinions of Hollywood are usually spoken in clear terms, with all the big companies singing from the same sheet. Piracy is universally bad, the studios chant in unison, a line from which few dare to deviate.

However, when someone in Hollywood does break ranks, it’s always worth listening to what they have to say.

Just recently movie director Lexi Alexander has been shaking things up with comments not only supporting jailed Pirate Bay founder Peter Sunde, but also those that blame studio bosses for leaks of movies such as The Expendables 3.

Today Alexander has delivered perhaps her most controversial revelation yet, news which suggests that direct leverage of piracy helped a major network get its own streaming services off the ground with much reduced costs.

The report comes from a contact of Alexander’s working in the industry. She’s keeping his identity a secret so as not to jeopardize his career, but his revelations are quite an eye opener.

“Many years ago, I was employed at one of the Major Networks in an R&D capacity. What our team was tasked with was figuring out how to build streaming networks. Building a parallel to the broadcast networks where a program could be digitized and then never go back to the analog world again,” he told Alexander.

“[W]hen you're working at the level of a network, there's too much to be done by hand, and you have to design systems. For digitizing. Transcoding. Asset management. Dealing with different audio mixes. Subtitles. Error correction. Multi-bit rate streaming for a wide variety of clients. Evolving formats and containers.”

Clearly the job of transitioning to the digital domain presented significant challenges that needed to be overcome. However, R&D workers needed experience to solve these problems and according to the insider that was obtained in a most unorthodox fashion.

“We were all pirates. I'm not saying we leaked material to the internet – nobody was that crazy. But everyone illegally downloaded media. We traded tips on our setups, best practices, the most efficient tools and workflows. Everyone was downloading illegally. The VPs. The head of content security. EVERYONE.”

Of course, any major expenditure such as creating new networks would have to be passed off by the powers that be, something that could take years. But while those holding the purse-strings were deep in thought, time wasn’t being wasted down in R&D. In the pirate world, experiments were taking place.

“We honed our skills, our design ideas, our workflow concepts in illegal waters. So when we finally got the greenlight to build something, we knew what we were doing. We were fluent,” the insider said.

This unofficial training led to huge savings for the network, slashing R&D costs while bringing products more quickly to market. Alexander’s contact notes that these savings as a result of piracy are a far cry from the losses Hollywood prefers to talk about.

“So when I look at all the complaints about piracy costing corporations billions of dollars, all I can think about is the billions of free R&D the corporations have received from the pirate economy. Of all the money and resources we were not given by our bosses, which led us to solve problems with the tools that were available to us,” he concludes.

Finally, it appears that Lexi Alexander isn’t done yet. She’s now inviting others to come forward with their own anonymous “anti-piracy hypocrisy stories”. Better get the popcorn, this could get interesting.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

BitTorrent’s Secure Dropbox Alternative Simplifies Sharing

Posted: 26 Aug 2014 01:27 PM PDT

syncThere are dozens of sync and backup services available on the Internet, but most have a major drawback. They require people to store data on external cloud-based servers that are not under their control.

BitTorrent Sync is a lightweight backup tool that eliminates this drawback, and it's much faster too.

The functionality of the Sync application is comparable to most cloud-based sync tools, except for the fact that there's no cloud involved. Users simply share their files across their own devices, or the devices of people they share files with.

Since its launch the application has built a steady user base of millions of users who already transferred a mind-boggling amount of data.

“Since the initial Alpha launch of Sync a little over a year ago, we've now hit over 10 million total user installs and have transferred over 80 Petabytes of data,” BitTorrent Inc’s Erik Pounds notes.

Today marks another big step in the development of Sync. With the release of version 1.4 users are now able to share files and folders more easily, by simply sending someone a URL. Previously, people had to exchange encryption keys which seemed more complicated.

Sharing a Sync file or folder

syncnew

People who receive a Sync URL will be directed to a download page where they are prompted to install Sync, if it isn’t already, and start downloading files right away.

Sync offers a wide variety of sharing options. Users have complete control over where their data is going and how it is used. This includes setting read/write permissions and the option to give access to approved devices only.

“Sync gives you full ownership over your data. With no third parties involved in storing or arbitrating your data, you know exactly where your files go,” Pounds explains.

In addition to the easier sharing options and various other improvements, the latest release also has a completely redesigned interface.

For those who are interested, the latest version of BitTorrent Sync is now available for download here, completely free of charge.

Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.